7 modes
LayersHide or change Linear Equalizer's own layers, or add snow, fireworks, lights and more, on the preview.Try layers
Layers inside this visualizer: hide or change the look's own layers, or add snow, fireworks, lights and more on top.
The look's layers
- General background
Position and size
- Bass bars
Position and size
- Midrange bars
Position and size
- Treble bars
Position and size
- Peak caps
Position and size
Added layers (0/6)
No layers added yet.
"Use in Classic" and "Open in Studio" keep these layers. All about layers
Engine 7 of 60
Audio-Reactive
Bars
Dedicated equalizer bars with mirrors, stacks, paths, depth, and peak hold.
- 7 modes
- Setup easy
- 16:9
- 1:1
- 4:3
Embed on your websiteWordPress, Squarespace, Webflow, Shopify, Wix
Put this look on your own site: in a page, or behind and over the site you already have, without changing your theme. It sets no cookies and shows no ads. How it works, and the WordPress plugin
Preview
With the free Sonic Weaver Embed plugin: paste this shortcode, or add the Sonic Weaver block and pick the same settings in its sidebar.
[sonicweaver look="bars/linear-equalizer"]Every embed carries a small “Made with Sonic Weaver” mark. To have it removed, message us.
- Modes
- 7
- Engine version
- 4.0.0
- Desktop budget
- 96
- Mobile budget
- 48
Preview video
Bars visualizer: Linear Equalizer preview
Linear Equalizer, 8 seconds on a steady 120 BPM test beat, looping with no sound. A refined baseline equalizer with rounded caps. The live preview at the top plays the same look: pick a song there to watch it follow your own music.
What it builds
What this engine can build
Precision bar layout with independent materials and band mapping. Start with Linear Equalizer, then combine it with logos, masks, captions, camera layers, and global effects without changing document formats.
- Editable 2D and 3D geometry, transforms, motion, and materials
- Every property has a default, keyframes, and bounded audio routes
- Blend with masks, media, text, logo, character, camera, light, and effect layers
Where it fits
Where Bars fits
- Look
- Audio-Reactive
- Spectrum, bars, waveforms, and radial systems
- Setup
- Ready as-is
- The defaults are a finished look: attach audio and export
- Render load
- Light
- Comfortable on older laptops and phones
Individual layers
Layer assets for Bars
Browse every visualizer’s current and earlier look layers, plus the universal added-layer presets. This page starts with Bars selected; choose any asset to open it in Classic.
Loading layer assets… · Showing Bars and universal added layers first. Select any visualizer to browse its full set.
Each preview is the layer asset’s transparent still. Use it in Classic, or visit the full animated library to preview and download it.
Controls
Linear Equalizer controls
Every control this mode has, grouped by what it changes, with its starting value. Each one is yours to change in Classic and Studio; the ones marked “Follows the music” can also be driven by the song through an audio route.
Style
| Control | Default | Music |
|---|---|---|
| Primary colorPrimary color used by the engine palette | #22d3ee | Set by you |
| Secondary colorSecondary color used by the engine palette | #34d399 | Set by you |
| BackgroundBackground used by the engine palette | #020809 | Set by you |
| Color modeDuo palette, primary→secondary gradient, or full rainbow sweep | duo | Set by you |
Transform
| Control | Default | Music |
|---|---|---|
| OpacityVisualizer opacity | 1 | Set by you |
| Frame marginBreathing room kept clear at the frame edges. Audio-driven geometry is soft-limited to fit inside it; geometry scale deliberately is not | 0.035 | Set by you |
Audio
| Control | Default | Music |
|---|---|---|
| SensitivityBounded overall audio response | 1 | Set by you |
| Spectrum rangeHow much of the 40 Hz to 14 kHz range the visual spans, from the bass up. Lower it to give the bass and mids more of the bars | 1 | Set by you |
| Frequency scaleHow the bars are spread across the frequencies. Log spreads them by octave, mel by how pitch is heard, and linear by hertz, which gives most bars to the highs | log | Set by you |
| Auto-levelLifts every part of the spectrum to its own recent range, so quiet highs move as much as loud bass. A note held for several seconds settles lower as it adapts. 0 shows the raw spectrum | 0.8 | Set by you |
| Frequency focusWhich part of the spectrum drives this visual; while no explicit audio source is set, the motion envelope follows this selection | full | Set by you |
| Burst intensityGlow and trail swell on sharp hits; 0 keeps bursts off | 0 | Set by you |
| Audio attackEnvelope attack in milliseconds | 45 | Set by you |
| Audio releaseEnvelope release in milliseconds | 240 | Set by you |
| Beat responseHow hard every engine hits on each detected beat | 1.2 | Follows the music |
| Beat smoothingHow long each beat hit rings out before it settles | 0.35 | Follows the music |
| Beat attackSeconds for a hit to swell to full. 0 snaps instantly | 0 | Follows the music |
| Beat releaseSeconds for a hit to fade, overriding Beat smoothing. 0 follows it | 0 | Follows the music |
| Beat sync allRoute beat energy into spawn, shake, pulse, speed, and scale | true | Set by you |
Effects
| Control | Default | Music |
|---|---|---|
| Wake lengthHow far motion trails stretch behind beat-born travelers; 0 removes the wake | 1 | Set by you |
| Glow | 0.55 | Follows the music |
| Global glowShared emissive strength across the frame | 0.35 | Follows the music |
| Pulse intensityBeat pulse scale for spawn, size, and shake | 1 | Follows the music |
| Beat shakeFrame kick strength on each beat | 0.6 | Follows the music |
| Motion echo | 0 | Follows the music |
| Blur | 0 | Follows the music |
| Chromatic aberration | 0 | Follows the music |
Geometry
| Control | Default | Music |
|---|---|---|
| Geometry scale | 1 | Follows the music |
Motion
| Control | Default | Music |
|---|---|---|
| Motion directionRotate the animated visual pass to face this direction; the general background stays fixed | none | Set by you |
| SpeedTime-based motion; default major cycle is 6–12 seconds | 0.1 | Follows the music |
Shape and symmetry
| Control | Default | Music |
|---|---|---|
| Symmetry and tilingReshape the whole picture: mirror it, fold it into a kaleidoscope, or tile it (the plane groups p1, p2, p4m and p6m) | none | Set by you |
| Kaleidoscope foldsHow many mirrored copies go round the kaleidoscope | 6 | Set by you |
| Symmetry angleTurns the mirror line, or the kaleidoscope, in degrees | 0 | Follows the music |
| Kaleidoscope spinHow fast the kaleidoscope turns, in turns per bar of the song (0.25 is once a phrase) | 0 | Follows the music |
| Tile sizeEach tile's size as a share of the frame | 0.5 | Set by you |
| Tile gapThe gap between tiles, as a share of a tile; it shows the background colour | 0 | Set by you |
| WarpBend the whole picture: a twist, a bulge, waves or ripples that move once a bar, a polar unroll, or a fisheye lens | none | Set by you |
| Warp amountHow strong the warp is | 0.5 | Follows the music |
| Warp centreWhere the warp is centred in the frame | centre | Set by you |
Bars
| Control | Default | Music |
|---|---|---|
| Bar countVisible bar count | 64 | Set by you |
| Bar width | 0.72 | Follows the music |
| Bar gap | 0.18 | Follows the music |
| Bar heightFraction of the frame the tallest bar can reach | 0.5 | Set by you |
| Floor reflectionMirrored floor reflection below the bars | 0 | Set by you |
| Cap shape | round | Set by you |
| Baseline | bottom | Set by you |
| MirroringMirror bars around the baseline | 0 | Set by you |
| Peak holdPeak hold duration in milliseconds | 420 | Set by you |
Keep looking
